There are times when a movie just grabs me, despite technical flaws, my low expectations, and even a boring DVD case cover. In This World is one of those. The political message is clear, but understated, conveyed instead by an intimate look at the consequences of war and greed on the lives of decent people.
The movie presents a fictitious journey that conveys disturbing truths of life “in this world” we inhabit. Although it’s low-key and rough as cinema, it produces an intimate connection to its characters, Afghan refugees Jamal and Enayatullah, as they travel from Shamshatoo refugee camp near Peshāwar, Pakistan, across Pakistan, through Iran, Turkey, Italy and France, towards London.
Like thousands of others every year, their desperation feeds the multibillion dollar human smuggling business, an unconscionable stain on any of our pretensions to justice. The smuggling fuels crime, violence, corruption, illegal drug trade, and too often leads to death, no longer being “in this world.”
The actors are Afghan refugees themselves, and the encounters in the movie elide life and art. I was fascinated by the places they moved through, and their resourcefulness in learning how to cope with diverse languages and unscrupulous people.
The camps near Peshāwar are filled with people displaced by the Soviet invasion of Afghanistan and later, US bombing. UNHCR says that there are currently “1.7 million registered Afghans in Pakistan, with 45 percent residing in refugee villages and the rest scattered among host communities.” But the total, including children born to refugees, may be several million. The humanitarian crisis is compounded now by two million civilians fleeing the fighting in Pakistan’s Northwest Frontier.
Even though the story is depressing about our institutions, I finished it feeling hopeful about our human capacity. I wanted to travel the modern silk road and more still to learn about the world of these refugees and the policies that lead to their plight.